Meeres Sauber Halter frisst Cabel und Cabriolet
2025
Mixed-media object
Ink on paper, industrial silicone rings, discarded electronics, piezos (silent)
21 × 30 × 5 cm
Part of the Geografía Errante series, Meeres Sauber Halter frisst Cabel und Cabriolet (2025) is a surreal micro-scene that merges painting with objecthood. Rendered in vibrant greens and blues, the work evokes a playful yet unsettling vision of life below the waterline: drifting cells and amoebic bodies, fragile lifeforms imagined in a state of flux.
Composed of ink, silicone, and salvaged electronics, the piece suggests an abstract seascape fragment populated by submerged ecologies and hybrid creatures. Its quietness—the absence of sound despite the presence of a single embedded piezo “eye”—heightens its poetic tension. As a companion or “mother” piece to Wasser Wessen, the work asks questions of belonging and dissolution: Who belongs to water? What remains in the wake of ecological collapse?
Its material language, at once childlike and uncanny, reflects a sensory encounter with climate imaginaries—where plastic, biology, and memory merge within errant geographies of becoming.